Looking to hire Alice Cooper for a private party, fundraiser, gala, public concert, wedding, college, fair or festival worldwide?
BookingEntertainment.com makes it easy to get available dates, pricing and fees for booking Alice Cooper.
Fill out an entertainment request form and a Alice Cooper booking agent who can assist you in booking Alice Cooper will get back to you to discuss booking Alice Cooper for your event.
Want to talk about your event now? Give us a call at (212) 645-0555 and one of our booking agents will be happy help you immediately.
Our office is staffed from 9:00 AM - 7:00 PM EST, Monday - Friday.
Originally, there was a band called Alice Cooper led by a singer named Vincent Damon Furnier. Under his direction, Alice Cooper pioneered a grandly theatrical and violent brand of heavy metal that was designed to shock. Drawing equally from horror movies, vaudeville, heavy metal, and garage rock, the group created a stage show that featured electric chairs, guillotines, fake blood, and huge boa constrictors, all coordinated by the heavily made-up Furnier. By that time, Furnier had adopted the name for his androgynous on-stage personality. While the visuals were extremely important to the group's impact, the band's music was nearly as distinctive. Driven by raw, simple riffs and melodies that derived from '60s guitar pop as well as show tunes, it was rock & roll at its most basic and catchy, even when the band ventured into psychedelia and art rock. After the original group broke up and Furnier began a solo career as Alice Cooper, his actual music lost most of its theatrical flourishes, becoming straightforward heavy metal, yet his stage show retained all of the trademark props that made him the king of shock rock.
Furnier formed his first group, the Earwigs, as an Arizona teenager in the early '60s. Changing the band's name to the Spiders in 1965, the group was eventually called the Nazz (not to be confused with Todd Rundgren's band of the same name). The Spiders and the Nazz both released local singles that were moderately popular. In 1968, after discovering there was another band called with the same name, the group changed its name to Alice Cooper. According to band legend, the name came to Furnier during a ouija board session, where he was told he was the reincarnation of a 17th-century witch of the same name. Comprised of vocalist Furnier -- who would soon begin calling himself Alice Cooper -- guitarist Mike Bruce, guitarist Glen Buxton, bassist Dennis Dunaway, and drummer Neal Smith, the group moved to California in 1968. In California, the group met Shep Gordon, who became their manager, and Frank Zappa, who signed Alice Cooper to his Straight Records imprint.
Alice Cooper released their first album, Pretties for You, in 1969. Easy Action followed early in 1970, yet it failed to chart. The group's reputation in Los Angeles was slowly shrinking, so the band moved to Furnier's hometown of Detroit. For the next year, the group refined their bizarre stage show. Late in 1970, the group's contract was transferred to Straight's distributor Warner Bros., and they began recording their third album with producer Bob Ezrin.
With Ezrin's assistance, Alice Cooper developed their classic heavy metal crunch on 1971's Love It to Death, which featured the number 21 hit single "Eighteen"; the album peaked at number 35 and went gold. The success enabled the group to develop a more impressive, elaborate live show, which made them highly popular concert attractions across the U.S. and eventually the U.K. Killer, released late in 1971, was another gold album. Released in the summer of 1972, School's Out was Alice Cooper's breakthrough record, peaking at number two and selling over a million copies. The title song became a Top Ten hit in the U.S. and a number one single in the U.K. Billion Dollar Babies, released the following year, was the group's biggest hit, reaching number one in both America and Britain; the album's first single, "No More Mr. Nice Guy," became a Top Ten hit in Britain, peaking at number 25 in the U.S. Muscle of Love appeared late in 1973, yet it failed to capitalize on the success of Billion Dollar Babies. After Muscle of Love, Furnier and the rest of Alice Cooper parted ways to pursue other projects. Having officially changed his name to Alice Cooper, Furnier embarked on a similarly theatrical solo career; the rest of the band released one unsuccessful album under the name Billion Dollar Babies, while Mike Bruce and Neal Smith both recorded solo albums that were never issued. In the fall of 1974, a compilation of Alice Cooper's five Warner albums, entitled Alice Cooper's Greatest Hits, became a Top Ten hit.
For his first solo album, Cooper hired Lou Reed's backing band from Rock 'N' Roll Animal -- guitarists Dick Wagner and Steve Hunter, bassist Prakash John, keyboardist Joseph Chrowski, and drummer Penti Glan -- as his supporting group. Welcome to My Nightmare, Alice Cooper's first solo album, was released in the spring of 1975. The record wasn't a great departure from his previous work, and it became a Top Ten hit in America, launching the hit acoustic ballad "Only Women Bleed"; its success put an end to any idea of reconvening Alice Cooper the band. Its follow-up, 1976's Alice Cooper Goes to Hell, was another hit, going gold in the U.S. After Alice Cooper Goes to Hell, Cooper's career began to slip, partially due to changing trends and partially due to his alcoholism. Cooper entered rehabilitation in 1978, writing an album about his treatment called From the Inside (1978) with Bernie Taupin, Elton John's lyricist. During the early '80s, Cooper continued to release albums and tour, yet he was no longer as popular as he was during his early-'70s heyday.
Cooper made a successful comeback in the late '80s, sparked by his appearances in horror films and a series of pop-metal bands that paid musical homage to his classic early records and concerts. Constrictor, released in 1986, began his comeback, but it was 1989's Trash that returned Cooper to the spotlight. Produced by the proven hitmaker Desmond Child, Trash featured guest appearances by Jon Bon Jovi, Richie Sambora, and most of Aerosmith; the record became a Top Ten hit in Britain and peaked at number 20 in the U.S., going platinum. "Poison," a mid-tempo rocker featured on the album, became Cooper's first Top Ten single since 1977. After the release of Trash, he continued to star in the occasional film, tour, and record, although he wasn't able to retain the audience recaptured with Trash. Still, 1991's Hey Stoopid and 1994's The Last Temptation were generally solid, professional efforts which helped Cooper settle into a comfortable cult status without damaging the critical goodwill surrounding his '70s output. After a live album, 1997's Fistful of Alice, Cooper returned on the smaller Spitfire label in 2000 with Brutal Planet and Dragontown a year later. The Eyes of Alice Cooper appeared in 2003 and found Alice and company playing a more stripped-down brand of near-garage rock. Dirty Diamonds from 2005 was nearly as raw and hit the streets around the same time Alice premiered his syndicated radio show, Nights with Alice Cooper. ~ Stephen Thomas Erlewine, All Music Guide
As an experienced entertainment booking agency, Booking Entertainment agents represent buyers of big name entertainment, providing pricing fees and full turn key concert events for our clients. We are a full-service booking entertainment agency for clients hosting corporate events, galas, private events, fundraisers, corporate functions, college concerts, private parties and speaking engagements worldwide.
Booking Entertainment works to get the best possible booking fee and price for our clients while also providing the celebrity or big name entertainer with the level of professionalism and industry norms that they expect from an event run by a professional booking agency and production management company.
Booking Entertainment uses our agency / management relationships and over 20 years of production experience to help buyers of headline / top name entertainers and does not claim or represent itself as the exclusive agent, manager or management company for any of the artists on our site.
Fill out the form below and your assigned agent will contact you quickly to see how BookingEntertainment can best serve you and your clients.
This non-obligatory and confidential form was created for our booking agents to get a clear understanding of who you would like to book as well as your proposed date, budget and venue.
Our 20 years of agency / management relationships help you get the best possible price and ensures that your talent buying experience is handled with honesty and integrity. You can also talk to us about producing the entire musical portion of the event for one flat fee with no surprises...
Want to talk about your event now? Give us a call at (212) 645-0555 and one of our booking agents will be happy to help you immediately.
Our office is staffed from 9:00 AM - 7:00 PM EST, Monday - Friday.
Fields marked by asterisks (*) are required
NEED HELP? Please feel free to email us with questions at any time
"When you are looking to book big name entertainment for an event, there are a number of pop up booking agencies on the web that if they are reputable, simply book the acts and leave you to handle all of the responsibilities of producing the entertainment portion of your event. Our entertainment booking agents have been personally trained by me to ensure that the entire booking process and event production is handled flawlessly and with the personal touch that I make sure goes into every corporate event, private party or public concert that we handle. My reputation is on the line for every show we do, and I ensure that both our clients and the acts / celebrities that we book are treated to our unprecedented level of service.
Let our entertainment agent specialists show you how we can save you up to 30% on your production costs and why so many of our clients come back to our booking agency year after year to enjoy our hassle free service when they want to book big name entertainment for corporate events, private parties and public concerts worldwide."
CEO & President - Steve Einzig
"The first thing I do when I am planning my event for next year is call Steve at BookingEntertainment. Our event is at the Waldorf Astoria every year, and the team at BookingEntertainment delivers a perfect experience year after year. No matter what time we get in the room, BookingEntertainment makes it work."
- Hospital Fundraiser - New York - (Don Henley, Chicago, Hall & Oates, Melissa Etheridge, Sheryl Crow, Stevie Nicks, Natasha Bedingfield)
"They make corporate event planning a snap!! When we were looking for an entertainment agency while in the party planning stage of our event, BookingEntertainment.com was the only talent agency that we felt comfortable with. They delivered in a huge way. We loved dealing with them and the event was perfect."
- Private Client - Barbados - (Bon Jovi, Meat Loaf, Bryan Adams, Kenny Rogers)
"Our events with BookingEntertainment have been perfect. They saved us over $200,000 in costs that were needlessly spent in previous years."
- Fundraiser - Las Vegas - (Billy Joel, Stevie Nicks, Hall & Oates)
"BookingEntertainment is one of my favorite vendors. As the corporate meeting planner for a Fortune 500 company, my logistics sometimes incorporate more than 1000 people over several days of meetings and events. Year after year, the final evening concert is a SMASH!! With BookingEntertainment ensuring every last detail is attended to, I am free to relax and enjoy the show with my clients and colleagues."
- Fortune 500 Company - Dallas - (Don Henley, Bonnie Raitt, Penn & Teller)
"Booking Entertainment is a first-rate company that provides more than just booking services. From solid recommendations that fit the target audience to top-notch event production, Booking Entertainment truly delivers. I've been working with Steve Einzig and his staff for over two years on all of our events and highly value their professionalism. Once I have made the call, I know that I don't have to worry about the entertainment for the event. That kind of comfort and assurance is priceless."
- Corporate Event - Atlantic City and Baltimore (Lionel Richie, Donna Summer)